ISCP Talk
December 2, 2025, 6:30–7:30pm

Artists at Work: Umber Majeed in Conversation with Jody Graf

For this Artists at Work, ISCP artist-in-residence Umber Majeed will be joined by curator Jody Graf. Majeed will present a performative lecture on her ongoing Trans-Pakistan project. She will then speak with Graf about how her work engages with speculative fiction, technological nostalgia, South Asian digital kitsch and collective memory. They will also discuss her creative process and use of drawings, ceramics, and interactive augmented reality. A Q&A with the audience will follow.

Umber Majeed is a multidisciplinary visual artist and educator. Her writing, performance, and animation draw from archives to explore Pakistani state, urban, and digital infrastructure through a feminist lens. Majeed has presented her work in solo exhibitions at Queens Museum, New York; Pioneer Works, New York; 1708 Gallery, Virginia; and the Rubber Factory, New York. Majeed is a recipient of numerous fellowships including the HWP Fellowship, Ashkal Alwan, Beirut, Lebanon; Refiguring Feminist Futures Web Residency, Akademie Schloss Solitude & ZKM, Germany; Digital Earth Fellowship, The Netherlands; Technology Residency, Pioneer Works, New York; Queens Museum – Jerome Fellowship. She is currently a Y12 NEW INC member – Extended Realities Track and the 2025 recipient of ISCP’s Pollock-Krasner Foundation Residency.

Jody Graf is an Associate Curator at MoMA PS1, where she recently organized the exhibitions Inuuteq Storch: Soon Will Summer Be Over (2025), Jasmine Gregory: Who Wants to Die for Glamour (2024), Hard Ground (2024), Yto Barrada: Le Grand Soir (with Ruba Katrib, 2024), Iiu Susiraja: A style called a dead fish (2023), and Life Between Buildings (2022). She is part of the curatorial team for the upcoming Greater New York 2026, and has worked on projects including Rirkrit Tiravanija: A LOT OF PEOPLE (2023); Greater New York 2021; Niki de Saint Phalle: Structures for Life (2021); Marking Time: Art in the Age of Mass Incarceration (2020); Theater of Operations: The Gulf Wars 1991-2011 (2019); and Sue Coe: Graphic Resistance (2018), among others. Graf has edited multiple exhibition catalogues at MoMA PS1, and her writing has been featured in publications including Texte Zur Kunst, Frieze, Mousse, CURA, and MAY.

This program is supported by the Pollock-Krasner Foundation; Hartfield Foundation; James Rosenquist Foundation; Joe Sultan; Lèna Saltos; Milton and Sally Avery Arts Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; Brooklyn Borough President Antonio Reynoso; New York City Council District 34; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; New York State Senator Julia Salazar; Dr. Samar Maziad; Sarah Jones; van Beuren Charitable Foundation; William Talbott Hillman Foundation; and Woodman Family Foundation.
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Accessibility information: Please note that the entrance to ISCP has seven steps and a ramp, which is ADA compliant. There are seven artist studios and one exhibition space which can be accessed on the first floor of ISCP. There is an accessible bathroom on the first floor at the end of the hallway, up one step, where the artist studios are located. To access the second floor there is a staircase with a grab bar installed on the right side with 22 steps. The second floor has 22 artist and curator studios, one exhibition space, and a lounge where remarks by our guest speaker will take place. To access the third floor there is a staircase with a grab bar installed on the right side with 24 steps. The third floor has five artist and curator studios. ISCP can access a freight elevator to bring visitors between the first and second floors on request. 

ISCP can offer two reserved parking spaces on request for people with disabilities. Please email programs@iscp-nyc.org to request a parking space and/or freight elevator usage.

 

6:30–7:30pm

Participating Residents

Event
November 21, 2025, 11am–4pm

Fall of Freedom: Exhibition Viewing and Resource Sharing

Visit our exhibitions that center diasporic voices and learn about resources for international arts professionals in the U.S. as we support the nationwide Fall of Freedom, a call to the arts community to unite in defiance of authoritarian forces. 

The International Studio & Curatorial Program (ISCP) offers refuge and momentum to artists and curators from over 100 different nations, who expand and enrich global discourse. Their uncensored art and bold, experimental practices nourish the conversations that keep democracy alive. 

ISCP’s three exhibitions reflect on themes of migration and cultural identity across the world. Carried Over explores the creative strategies of Braxton Garneau, Remy Jungerman, and Belinda Kazeem-Kamiński, three ISCP alumni with African and Indigenous roots, who tell profound stories of place and displacement, of resilience and resistance. Maya Jeffereis: Land of Eternal Summer features a new film that reframes an overlooked history in the Japanese diaspora to Brazil, emphasizing the land as a place for reimagining belonging. Charlie Perez-Tlatenchi’s installation Triumphant Currents, Auspicious Winds on the windows of Canal Projects transforms into a tapestry of imagery from colonial sites of the former Spanish empire, invoking stories of conquest, trade, and exploitation that are still embedded in the cultural fabric of the city today.

At a time when immigration policies in many countries, especially the U.S., re-enforce borders, these artists present expansive and nuanced accounts of diaspora from the past five centuries, offering insight on the present moment.  

11am–4pm

ISCP Talk
November 20, 2025, 6:30–7:30pm

Artists at Work: Irène Mélix in Conversation with Stamatina Gregory

For this Artists at Work, ISCP artist-in-residence Irène Mélix will be joined by curator Stamatina Gregory. Mélix will present on her practice and speak with Gregory about archival research, methods of queering historiographies, and her process of uncovering overlooked stories of queer communities living outside of major urban areas. They will also discuss Mélix’s current research at ISCP. A Q&A with the audience will follow. 

Irène Mélix’s research-based practice engages with queer identity construction, political histories, border spaces, and the conditions of artistic labor. Mélix completed her PhD in artistic research at Bauhaus University, Weimar, Germany. She conducts research in archives across Europe and beyond, teaches at universities, and is involved in curatorial projects. Mélix has exhibited work at Biennale d’art contemporain de Lyon, France; Schwules Museum, Germany; and BWA – Galerie Sztuki Współczesnej, Poland, among others.

Stamatina Gregory is the Chief Curator and Director of Exhibitions and Collections at the Leslie-Lohman Museum of Art in New York where she works to advance discourse on queer and trans art through exhibitions, programs, and acquisitions. Since joining the Museum in 2020, Gregory has organized key exhibitions such as Coyote Park: I Love You Like Mirrors Do (2022) and andrea geyer: a promise of lightning (2024). She has also worked with institutions like the ICA Philadelphia, ICA LA, and the 55th Venice Biennale. Gregory co-curated Bring Your Own Body: Transgender Between Archives and Aesthetics (2015) at The Cooper Union, where she served as Associate Dean of the School of Art. 

This program is supported by the KdFS Kulturstiftung des Freistaates Sachsen; Hartfield Foundation; James Rosenquist Foundation; Joe Sultan; Lèna Saltos; Milton and Sally Avery Arts Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; Brooklyn Borough President Antonio Reynoso; New York City Council District 34; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; New York State Senator Julia Salazar; Dr. Samar Maziad; Sarah Jones; van Beuren Charitable Foundation; William Talbott Hillman Foundation; and Woodman Family Foundation.
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Accessibility information: Please note that the entrance to ISCP has seven steps and a ramp, which is ADA compliant. There are seven artist studios and one exhibition space which can be accessed on the first floor of ISCP. There is an accessible bathroom on the first floor at the end of the hallway, up one step, where the artist studios are located. To access the second floor there is a staircase with a grab bar installed on the right side with 22 steps. The second floor has 22 artist and curator studios, one exhibition space, and a lounge where remarks by our guest speaker will take place. To access the third floor there is a staircase with a grab bar installed on the right side with 24 steps. The third floor has five artist and curator studios. ISCP can access a freight elevator to bring visitors between the first and second floors on request. 

ISCP can offer two reserved parking spaces on request for people with disabilities. Please email programs@iscp-nyc.org to request a parking space and/or freight elevator usage.

6:30–7:30pm

Participating Residents