Past Residents
Past Resident2015: ACC - Asian Cultural Council
Ishu Han
Ishu Han questions ideas belonging, civic duty and how such notions influence our voices as individuals. In his video practice, Han uses his own body and migration history to explore the notion of ‘identity’. A recent major work considered Australia’s immigration history, focusing on Asian immigration following the discovery of gold in Victoria. His work considers the exploration of how people of different nationalities, races, ethnicities and cultures coexist and how independent identities have been retained.
Ishu Han (born 1987, Shanghai, China) currently lives and works in Tokyo, Japan. Han’s works have been featured in a number of solo exhibitions, most recently, Life Scan, Tokyo Frontline, Japan, 2014; Study Country, VCA Gallery, Australia, 2013; Form of Sea, Kyoto Art Center North Gallery, Japan 2012; as well as groups shows such as In the Wake, Museum of Fine Arts, Boston 2015; Whose Game is it?, RCA Gallery, UK, 2015; Asia Anarchy Alliance, Kuandu Museum of Fine Art, Taipei, 2014; Local Futures, He Xiang Ning Art Museum, China, 2013; 16th Japan Media Arts Festival, The National Art Center, Tokyo, Japan 2012; Local to Local, Openspace Bae, Busan, Korea, 2010.
Events & Exhibitions
Ishu Han: Memory of Each Other
July 8–October 2, 2015
Residents from China
Alchemyverse
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
2023
Past Resident2015: Edge of Arabia and Art Jameel
Ayman Yossri Daydban
Ayman Yossri Daydban’s work is often a reflection of his life, focusing on issues of identity and belonging. While his work may appear to be political, as it focuses on the deconstruction of the Palestinian national narrative, the work is deeply personal and has little agenda beyond his search for a sense of self. ‘Daydban’ means watchman, a mask that observes the viewer and its surroundings while at the same time remaining detached from them. There is an unbridgeable opposition between the watchman and what is being watched. The two sides seem to be in different worlds while in close proximity, producing enormous tension.
Ayman Yossri Daydban (born in Palestine, 1966) lives in Saudi Arabia. Daydban’s solo exhibitions include Identity, Selma Feriani Gallery, 2011; I am Anything, I am Everything, Athr Gallery, Jeddah, 2012. His work has been included in group exhibitions such as The Language of Human Consciousness, Athr Gallery, Jeddah; Brunei Gallery, London, 2008; The Future of A Promise, Venice Biennale 2009 & 2011; Transition, Istanbul, 2010; Terminal, Dubai, 2011, We Need To Talk, Jeddah, 2012; and #COMETOGETHER in London, 2012. Additional projects include Bravery of Being out of Range at Athr Gallery, Jeddah and subsequently at Sultan Gallery, Kuwait; The State at Traffic Gallery, Dubai; Tesselation at Galerie Zilberman and The Aftermath curated by Basak Senova at Akbank Art Center, Istanbul; and Hajj: Journey to the Heart of Islam at the British Museum, London. Daydban launched his first public art project Change on billboards across Dubai and Sharjah during Art Dubai, 2013. Daydban’s work is in the permanent collections of the British Museum, Al-Mansouria Foundation, the Abdul Latif Jameel Foundation, BASMOCA, Salsali Private Museum and the Greenbox Museum. He has been in residence at La Cites des Arts in Paris; Cuadro Fine Art Gallery; Traffic Gallery, Dubai; and Ashkal Alwan, Beirut.
Residents from Palestine
Past Resident2015: Foundation for a Civil Society
Zoran Georgiev
Zoran Georgiev’s works refer to the cultural policies of present-day Macedonia and Bulgaria, where the necessity of creating new (post-1989) identities and rethinking the past are leading to new forms of nationalism and visions of society and community. Georgiev underlines the hollowness, the competitiveness and the kitsch in state policies aimed at the construction or restoration of monuments and museums. As if the symbolism of the “new” past is nothing more than the expensive décor for a Bollywood (or rather, a Balkan-wood) production. With simplified form and direct appeal his works “unmask” the kitsch in the visual language of populist nationalism through a kind of authentic and raw objectivity.
Zoran Georgiev (born in 1985 in Macedonia) lives and works in Berlin, Germany. Georgiev graduated with an MA in Painting from the National Art Academy in Sofia, Bulgaria. His solo exhibitions include Vaska Emanouilova Gallery, Sofia; Sariev Contemporary, Plovdiv; and 0GMS Gallery in a Drawer, Sofia. He has participated in numerous group exhibitions including Art for Change, Sofia City Art Gallery, 2015; Prehod For Sale, ICA Gallery, Sofia, 2014; Transcending Cultures, Essl Museum, Viena 2013-2014; Never Ending Story, Rakursi Gallery, Sofia, 2013; and Love, Rayko Alexiev Gallery, 2012. He has received awards including the ESSL Art Award CEE 2013 and the Young Visual Artists Award (BAZA), 2014.
Events & Exhibitions
Salon: Zoran Georgiev and Igor Ruf
April 14, 2015