Past Resident
2012: Danish Arts Foundation

A Kassen

Artist group A Kassen has engaged in a collaborative practice since 2005, including works that take the form of performative installation, architectural intervention, photography, and sculpture. Their work is rooted in the exhibition site and refers to context and the social space, exploring the conditions of perception and interpretation.

A Kassen is Christian Bretton-Meyer, Tommy Petersen, Morten Steen Hebsgaard, and Søren Petersen. Educated at the Royal Academy of Fine Arts, Copenhagen; the Städelschule, Frankfurt, and the Akademie der Bildende Künste, Munich, the group is based in Copenhagen. Recent exhibitions include Reykjavik Arts Festival; Kling & Bang Gallery, Reykjavik; Facetime, On Stellar Rays, New York City; THE TITLE IS A PILE OF LETTERS, IMO Projects, Copenhagen; La Vie Mode d’Emploi, Meessen De Clercq, Brussels, and Window to the World, Museo de Arte Contemporáneo de Castilla y León.

Past Resident
2012: Ministry of Culture, Taiwan

Chang-Jung Wu

Chang-Jung Wu’s works, created using records of her life, daily imagination, and memories, often reveal her own story. Wu’s work explores a diverse group of issues including the global economy, energy supply, voice making, ecology, and visual sensory imagination giving an imagination with emotional dynamics; she combines spatial projections with other experimental images to express deeply personal ideas.

Chang-Jung Wu (born 1984 Taiwan), received her degree from the Graduate Institute of Plastic Arts, Tainan National University of The Arts, Taiwan in 2012. Her work has been shown recently at the The Taipei Digital Art Center, Manchester Chinese Centre for Contemporary Art, UK; The 58th International Short Film Festival, Oberhausen, the 2011 Venice Biennale, The 7th Busan International Video Festival, Korea, and in the exhibition Ambiguous Being: who is afraid of identity?, Berlin. Chang-Jung was the winner of the 2012 58th International Short Film Festival in Oberhausen and the recommended new artist of Art Taipei 2010.

Kaeko Mizukoshi

Kaeko Mizukoshi investigates the function of image, representation, and the structure of historiography. Her works unchain images from conventional or existing roles, emphasizing the indefiniteness and perpetual metamorphosis of the meaning of image.  In her recent works, the idea of “documentary” is interrogated and transformed to push its boundary in new directions. Currently Mizukoshi practices on the idea of what she calls “images in the process of being documented,” resulting in the collapse of pre-existing historical imagery and imprinted forms into an altered perceptive space.

Kaeko Mizukoshi (born 1976, Tokyo) studied at The State Academy of Fine Arts – Städelschule, Frankfurt am Main and graduated from Tama Art University, Tokyo. Recent shows include The Museum of Contemporary Art (MOCA) Shanghai, 2012; The Metropolitan Museum of Photography, Tokyo; The Korea Foundation Art Gallery, Seoul, 2011; Doosan Gallery and Gallery LOOP, Seoul, 2009. She received a fellowship from Asian Cultural Council and participated in the Location One Residency Program in New York in 2009. She also been awarded grants from the Agency for Cultural Affairs (Bunkacho) and Yoshino Gypsum Art Foundation, Tokyo.