Past Residents
Past Resident2011: CAM - Caja de Ahorros del Mediterráneo
Patricia Dauder
The will to see and to represent beyond the immediate surrounding visible and object world is the urge that conducts Patricia Dauder’s work. She captures and visualizes what is extremely difficult to retain: time, a fleeting moment, an ephemeral trajectory, an idea, something with no form, a remote place. Her work is essentially visual, a common feature to all the media she uses, whether they are three-dimensional objects, drawings, photos, films, or collected images. Their interpretation does not come through a narrative or textual source but solely through observation, which gives way to multiple associations and subtle meanings. Biomorphic traces, elliptically shaped images, gridded linear constructions, references to natural elements mix with allusions to cinematography, experienced as a tool for the observation and for the sequencing of space and time.
Patricia Dauder (born 1973, Barcelona, Spain) studied at the School of Fine Arts in Barcelona, Spain. Recent exhibitions include Lugares Comprometidos: Topografía y Actualidad, Fundación ICO, Madrid, Spain; Los Tiempos de un Lugar, CDAN, Centro de Arte y Naturaleza, Huesca, Spain; Horitzontal/Orbital, Fundació Suñol, Barcelona; Teahupoo, ProjecteSD Gallery, Barcelona; There is No(w) Romanticism, Galerie Les Filles du Calvaire, Brussels, Belgium; Eté 2009, Galerie Jocelyn Wolff, Paris, France; Patricia Dauder and Dani Gal, Galerie Kadel Willborn, Kalsruhe, Germany and 1979: a monument to radical moments; La Virreina, Centre de la Imatge, Barcelona.
Patricia Dauder, Teahupoo, 2010, Drawings, Dimensions variable. Courtesy of the artist and ProjecteSD Gallery, Barcelona.
Patricia Dauder, Drawing series and Forward (16mm film), 2010, Dimensions variable. Courtesy of the artist and Kadel Willborn Galerie Kalsruhe, Germany.
Patricia Dauder, Overlapping#6 And Flow And Sporadic, 2009, Super 8 films transferred to 16mm, 79 × 105 in. (200.66 × 266.7 cm). Courtesy of the artist.
Patricia Dauder, Overlapping#5, 2009, Pencil and pastel color on semitransparent paper, 97 × 118 in. (246.38 × 299.72 cm). Courtesy of the artist.
Patricia Dauder, Flow And Cutsurf, 2009, S8 film transferred to 16mm, color, no sound, 4:05 minutes; 1:44 minutes. Courtesy of the artist and Fundació Suñol, Barcelona.
Daniel Permanetter
There are no dependable records about the relationship between Robert Allen Zimmerman (born 1941 alias Bob Dylan) and Daniel Permanetter. In the videos (amongst others My 115th Dream, 2008 and The Beauty Parlor, 2010) the two meet again and again in short, everyday settings. On a bus, in a movie theater and without converging in any plausible way. What interlinks the two is something deeply human, the impossibility to express your own observations and to deal with the great and finally unanswered questions of life, love, beauty and death by telling stories. (Text by Stefanie Manthey)
Daniel Permanetter (born 1977, Starnberg, Germany) graduated from the Akademie der Bildenden Künste in Munich, Germany, where he lives and works.
Daniel Permanetter, Darkness At The Break Of Noon, 2008, Single channel video, 6:12 min. Courtesy of the artist.
Daniel Permanetter, My 115th Dream, 2007, Single channel video, 2:22 min. Courtesy of the artist.
Daniel Permanetter, Stuck Inside Of Munich With The Homesick Blues Again, 2008, Single channel video, 4:12 min. Courtesy of the artist.
Daniel Permanetter, Highlands # 12 & 35, 2008, Book. Courtesy of the artist.
Daniel Permanetter, Save As Milk, 2009, Installation, Variable dimensions. Courtesy of the artist.
Residents from Germany
Past Resident2011: Foundation for a Civil Society
Adela Jusic
Adela Jusic works primarly with video. Socially engaged and rooted in personal experiences, her artistic practice revolve around the subject of the war in Bosnia, the position of women in war, and the religion and tradition in which she grew up. Jusic recently started a collaboration with Sarajevo-based artist Lana Cmajcanin tackling the question of self-presentation and in the art market.
Adela Jusic (born 1982 in Sarajevo, Bosnia & Herzegovina) lives and works in Sarajevo. She graduated from the Academy of Fine Arts and from the University of Sarajevo. Adela Jusic is a cofounder of the Association for Art and Culture Crvena. She has exhibited in many international exhibitions including Manifesta 8, Murcia, Spain; Videonale Kunstmuseum Bonn, Germany; Decolonial Aesthetics, El Parqueadero, Bogota, Colombia; Transitland in Trieste, Institute for the Documentation and Dissemination of Art, Trieste, Italy; Projected Visions, Espace Appolonia, Strasbourg, France; South East European Film Festival, Goethe Institute Los Angeles, CA; Transitland, Los Angeles, CA and Global South in Festival City of Women, Gallery P74, Ljubljana, Slovenia.
Adela Jusic, Who needs DRNC?, 2008, Video, 5:40 min. Courtesy of the artist.
Adela Jusic, The Sniper, 2007, Color video with stereo sound, 4:09 min. Courtesy of the artist.
