Past Residents
Past Resident2014: Edge of Arabia and Art Jameel
Foundland
Foundland Collective (Ghalia Elsrakbi and Lauren Alexander) is a design, research and art practice, based between Cairo, Egypt and Amsterdam, the Netherlands. The collective’s work draws on graphic design, art, writing and research in order to formulate small and large scale projects, self-initiated and commissioned. Since inception in 2009, the collective have focused on critical analysis of topics related to political and place branding, manifesting their speculations and ideas through visual and written manifestations like exhibitions and publications. Since 2011, Foundland’s focus shifted to the Middle East with special interest in Ghalia’s homeland, Syria. They gather observations from media, activist groups and social media trends of political expression, and grow an expanding database of visuals and information; history in the making. By drawing unexpected relations and connections, they create alternative narratives to media reporting through innovative image making and personal interpretation.
Ghalia Elsrakbi (born 1978, Damascus) completed a BA Graphic Design at ArtEZ Hogeschool voor de Kunst, Arnhem, followed by a Masters in Design at the Sandberg Institute, Amsterdam. In 2009, she followed a research postgraduate at Jan van Eyck Academie in Maastricht. Since 2011, she has been involved with various activist groups promoting creative dissidence in Syria and since 2013 is based in Cairo, Egypt.
Lauren Alexander (born 1983, Cape Town) completed a BA Graphic Design at the Stellenbosch University in South Africa, followed by a Masters in Design at the Sandberg Institute. In 2009 she pursued an MFA at the Dutch Art Institute in Arnhem. She is member of the tutoring staff at the Royal Academy of Art in the Hague.
Foundland has presented exhibitions and festivals at Kadist Art Foundation, Paris, 2012; Impakt Festival, Utrecht, 2011 and 2012; BAK, Utrecht, 2012; and Damascus Visual Arts Festival @ DEP, Istanbul, 2013.
Events & Exhibitions
Foundland: Escape Routes and Waiting Rooms
July 30–September 26, 2014
Past Resident2014: Office of Cultural Affairs, Consulate General of Israel in New York, Michael Storåkers
Elad Larom
Elad Larom’s work consists of painting, video, computer animation and photography. Through his interdisciplinary approach, Larom strives to implement the power of disclosing a world of exclusive characters, scenes and places of low culture, folklore and everyday life. He attempts to dramatize this by emphasizing moments and sights that belong to magical and sometimes even spiritual situations. Larom’s paintings recall cinema, in a similar way to his video works which are seen as a sequence of images as if coming out of a painting. These works seek to rediscover the possibility of painting loaded with the power and themes of another, metaphysical world.
Elad Larom graduated from the Gerrit Rietveld Academy, Amsterdam and in 2010 he received his MFA from Bezalel Academy of Art and Design. Larom has presented his work in various exhibitions in Europe and North America, which include Tento#2, W139, Amsterdam; Bezalel on Tour, Corcoran Gallery and Maltz Museum; Kunstlerhaus FRISE, Hamburg, and many more. His recent solo exhibitions include: I, Walid Lacham, New and Bad Gallery, Haifa, 2013, as well as a painting installation which was presented at the Fresh Paint Art & Design Fair, Tel Aviv, 2012. Larom has received a number of grants, including a special award from the Bezalel Academy in Jerusalem and another from the Nederlands Fonds for his artistic work on films.
Residents from Israel
Past Resident2014: Wallace Arts Trust
Jae Hoon Lee
In assembling an image bank that references Jae Hoon Lee’s experience as a cultural wanderer, Lee has mainly been collecting source materials in India, Nepal, Egypt, Indonesia, Antarctica and other countries he has recently visited. His daily collecting habit has so far expanded to include elements such as leaves, urban scenes, daily objects and banal accidents – random situations and happenings on the street. Lee then digitally manipulates some of these images, layering multiple single images that have been taken over a long time to create a single almost seamless new image. What at first glance looks like a still photograph, documenting a single instance, in fact contains the traces of multiple instances and views. In this way Lee’s images combine reality and dreams, bringing together the photorealist documentary tradition and the fictional possibilities of new technologies. His images collapse time and space in much the same way digital technology increasingly dominates and manipulates our understandings of the world around us.
Jae Hoon Lee (born 1973) studied sculpture at the San Francisco Art Institute, graduating with a BFA. In 1998, He immigrated to New Zealand and completed an MFA in Intermedia art at the Elam School of Fine Arts, University of Auckland. Lee was awarded the Antarctica New Zealand Arts Fellowship, allowing him to live and work at the Scott base camp in January 2012. Recently, Lee’s work has been internationally exhibited in Korea, China and Australia.