Past Residents
Past Resident2012: Paradise Row
Eloise Fornieles
Eloise Fornieles’ practice is predominantly performance-based. Focusing on one-to-one interventions within installations and soundscapes, she invites audiences to question simple interactions and gestures – from the intimate and profound to the prosaic and banal. This investigation into personal human connections is framed within a broader overview of the relationship between body and environment, and the individual’s place as part of a much larger system. Fornieles’ installations create a space for contemplation, whilst her own emphasis on physical endurance provides a backdrop for a more visceral understanding of the body as material, with its limitations and its capabilities. Engaging with strands of mythology, ritual and storytelling, and often depicting animals, she teases out the symbolic resonances that hold meaning within our everyday interactions.
Eloise Fornieles (born 1980, Winchester, UK) has worked and lived in London since 2004. After a BA in Fine Art at Kingston University, London, Fornieles graduated from the Slade School of Fine Art in 2006 with an MFA in Fine Art Media. Selected exhibitions include Their Wonderlands, Midlands Art Centre, Birmingham; On and On, La Casa Encendida, Madrid; Natural Wonders: New Art from London, Babakov Art Projects, Moscow; Fashion in Film Festival, Tate Modern, London; Carrion, Haunch of Venison, Berlin; and The Body is an Ocean, Paradise Row, London, 2011.
Residents from United Kingdom
Past Resident2012: The Open University
Ellie Rees
Ellie Rees produces performance-based videos that use humor and irony to investigate what it means to be a woman in contemporary society. She concentrates on exaggerated portrayals of women in cinema and literature; particularly the inconsistency between liberated female roles and romantic views depicted in high and popular culture. The works are meticulously rehearsed, with a keen regard for formal considerations. Her aim is not to make documentation of a live event, but a precise performance to camera. Her work is often made using an uninterrupted ‘one-take’ method. She is interested in relying on rehearsal and practice, rather than technology and postproduction. In her most recent work, she uses found footage alongside the performance-based pieces, creating large scale, multi-channel installations.
Rees lives and works in London. She graduated from Central Saint Martins College of Art and Design and Winchester School of Art. She is a lecturer at various colleges in the UK, including Central Saint Martins. She has exhibited internationally, including at Tate Modern, London; El Museo de Arte Contemporaneo, Caracas; and The Neuberger Museum of Art, New York. She has been the recipient of various awards and fellowships from the Arts Council England, the Arts and Humanities Research Council, and the Jerwood Foundation. Her work has been commissioned by English National Opera and the Almeida Theatre and she has held residencies in Europe and the USA. Her academic research has been published in the UK.
Residents from United Kingdom
Past Resident2011: LETO Gallery
Radek Szlaga
Radek Szlaga explores marginal topics and trash baroque aesthetics in his painting. The grotesque universe he creates is without boundaries between the aesthetic and historical orders. His work is a constant quest for new solutions where anything can happen. In his work, the simplicity of naive painting meets the philosophy of Jean Baudrillard, the magical thinking of Carlos Castaneda, and a topos of the total reproduction of reality from Borges’s stories.
Radek Szlaga (born 1979, Gliwice, Poland) studied at the Academy of Fine Arts, Prague, and the Academy of Fine Arts, Poznan, Poland. Recent solo shows include Fake Fauna, Arsenal Municipal Gallery, Poznan, Poland; Dreams/Icons, The way, LETO Gallery, Warsaw; Arsenal Gallery, Bialystok, Poland; Iconoclasm, White Space Beijing; Signs of the End, Alexander Ochs Galleries Berlin; and Freedom Club, West, The Hague. Group exhibitions include Where to Go? Notes on Transformation after 1989, < rotor >, Graz, Austria; Le coeur est un chasseur solitaire, Gare Saint Sauveur, Lille, France; They don’t know why but they keep doing it, Waterside Contemporary, London; 14th Vilnius Painting Triennial: False Recognition, Contemporary Art Centre, Vilnius. Since 2007 he has been a member of the artistic group PENERSTWO.
