Past Residents
Past Resident2015: Danish Arts Foundation
Rasmus Høj Mygind
Rasmus Høj Mygind’s practice encompasses a range of media including; painting, digital printmaking and ready-made sculpture/assemblage, often mixed together as parts of larger installations. A recurring interest – perhaps a fetish for objects and aesthetics from the building industry- is evident in his work. Practical gestures from art handling, such as the protection tape put on the glass to protects the work, is used as a part of the composition of a series of framed works. Roof gutters are used as frames for paintings. It’s borderline archaic art as we know it. And yet there is something else going on, post-taste.
Rasmus Høj Mygind’s recent solo shows include Work.pdf, Ringsted Galleriet; PVCntings & Suggestions 4 Bronzes, 3D, Henningsen Gallery, Copenhagen; and Break Time Pro, OTHER Projects. Mygind’s work has been exhibited at IMO, Kunsthal Charlottenborg, Den Frie Center for Contemporary Art, TOVES, Malmø Konsthall, Astrup Fearnley Museum, Galerie West, Randers Kunstmuseum.
Rasmus Høj Mygind, Untitled (drawing painting roofy), 2015, Paint and print on PVC banner, zink roof gutters, 50 x 70 in. Courtesy of the artist.
Residents from Denmark
Donald Hải Phú Daedalus
Donald Hải Phú Daedalus’ interdisciplinary projects utilize sculpture, photography, drawing, video, sound and books to problematize assumed truths, distinctions and impossibilities.
Donald Hải Phú Daedalus grew up in the shadow of the country’s largest public observatory, an area so remote that the U.S. government selected it as the site for byproducts of the atom bomb. Around the time that the oldest human remains in North America were discovered near his home, Daedalus became a Ferguson Fellow at the University of Washington, Seattle, where he studied philosophy and interdisciplinary art. He became an ex-patriot in Spain following the re-election of George W. Bush. He completed graduate studies in San Francisco. In 2012, he joined Critical Practices, Inc. Later that year he founded Lugubrious New York, a digital artist book publishing platform. His work has taken him to Latin America, Europe and Asia.
Donald Hải Phú Daedalus, Reproducible Vehicle At Any Nearby Home Depot Store, 2015, Aluminum Jon boat with additional fish-catching apparatus, 24 × 17 × 12 in. (60.96 × 43.18 × 30.48 cm). Courtesy of the artist.
Ground Floor Residents
Maya Jeffereis
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
2026
Keli Safia Maksud
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
2024
Hong Seon Jang
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
2026
Past Resident2015: Artadia
Delilah Montoya
As a Chicana artist, Delilah Montoya’s personal quest in image making is the discovery and articulation of Chicano culture that elucidate the dense history of Aztlán. Her artistic vision is an autobiographical exploration, but one that has far reaching implications for her community and the preservation of its unique history. Montoya’s work is grounded in the experiences of Latino Culture and brings together a multiplicity of syncretic forms and practices – from those of Aztec Mexico and Spain to cross-border vernacular traditions – all of which are shaded by contemporary American customs and values. Her projects investigate cultural phenomena; whether investigating spiritual rituals, ideas of race or questioning gender traditions, yet always addresses and often confronts viewers’ assumptions.
Delilah Montoya’s work has been exhibited in galleries and museums including the Andrew Smith Gallery, Santa Fe; Photo Do Not Bend Gallery, Dallas; Magnan Emrich Contemporary, NYC; and FotoFest, Houston. Her work in collections such as Museum of Fine Arts, Santa Fe; Art Museum of the Americas, Smithsonian Institute; Museum of Fine Arts Houston, and Los Angeles County Museum of Art. Her work is also published in Women Boxers: The New Warriors; Art of Colonial Latin; and Phantom Sightings: Art After the Chicano Movement. Her awards include Artadia Awards, Houston Texas; and the Richard T. Castro Distinguished Professorship. She is a professor at University of Houston in the School of Art. Montoya received a M.F.A. in Studio Art from the University of New Mexico.
Delilah Montoya, Contemporary Casta #2, 2015, Archival ink jet, 24 × 36 in. (60.96 × 91.44 cm). Courtesy of the artist.
