Past Resident
2012: Ministry of Culture, Taiwan

Yu-Hsien Su

Yu-Hsien Su’s work focuses on the feeble sense of reality in people’s daily lives. The subject matter of desolate people or those leading barren lives with a sense of non-existence is often seen in the artist’s work. Su tries to capture this reality by constructing and adhering to various rules, forms, games or recognized perceptions. The act of capture is meant to highlight the distance between reality and the perceptions of his subjects.

Su was born in 1982 and lives and works in Taiwan. He studied at the Department of Plastic Arts, National Tainan University of the Arts. Solo exhibitions include: Living in detail, Gwangju Museum, Korea; Ice Mountain, Pyo Gallery Seoul, Korea; and I am Pluto yo, VT ArtSalon, Taipei. Su’s latest show was in the 54th Venice Biennial Taiwan Pavilion, The Heard and the Unheard – Soundscape Taiwan.

Hilario Ortega

Hilario Ortega builds machines that arise from questions and reflections related to: life cycle, work, joy, absurdity, open, hurt, rotate, renovate and exhaustion. He seeks a dialogue between the land and the physical labor of the artist. In Ortega’s work, a relationship exists between the mechanisms, the viewer (or user) and the land. The development of these relationships requires a system of exhaustive testing and validation between purpose and destruction.

Ortega studied at the National School of Painting, Sculpture and Engraving La Esmeralda and graduated as an engineer from the National Polytechnic Institute in Mexico City.

Nilbar Güreş

Nilbar Güreş builds her work on a performative approach and cultural observation. Her works are molded around gender, composition of conceptual space and narrative presentation. She works in photography, collage, drawing and video. When looking retrospectively at Güreş’s practice, it is clear that she is interested in developing a gender-specific critical perspective on the perception of identity and culture. Güreş deals with gender issues and narrative possibilities as well as marginalized communities and patriarchal systems. Her work has an autobiographical layer in terms of the materials, settings, casting and objects, which she reconstructs in her practice. She conceptualizes settings as forms of open scripts while bringing in real stories, and people she knows well.

Nilbar Güreş (born 1977, İstanbul, Turkey) holds a BA in Painting from the Faculty of Fine Arts, Marmara University, İstanbul and a MA in Painting & Graphics from the Academy of Fine Arts, Vienna. Güreş has participated in: What is Waiting Out There, 6th Berlin Biennial (2010); Where Do We Go From Here?, Secession Vienna (2010), What Keeps Human Kind Alive, 11th International İstanbul Biennial (2009) and the travelling exhibition, Tactics of Invisibility, which was previously exhibited at Thyssen-Bornemisza Art Contemporary, Vienna (2010), Tanas, Berlin (2010-2011) and After, İstanbul (2011). She has had three solo shows; Nilbar Güreş at Rampa (2011), Nilbar Güreş: Window Commision 2010, Rivington Place, London (2010), Unknown Sports; Indoor Exercises, Salzbuger Kunstverein (2009) and Self-Defloration, Künstlerhaus Stuttgart (2011).