Past Residents
Past Resident2025: Fire Station - Qatar Museums
Maha Al-Khater
Maha Al-Khater is an artist, designer, and urbanist whose multidisciplinary approach explores how people, systems, and environments shape one another. With a background in design and urban ecologies, their practice is driven by curiosity and a sensitivity to the invisible structures that influence everyday life. Driven by a systems-oriented approach, her work explores the evolving relationships between people, places, and perception—transforming observation and inquiry into visual form.
Maha Al-Khater has exhibited work at Virginia Commonwealth University School of the Arts, Qatar and Parsons School of Design, New York, among others.
Events & Exhibitions
Summer Celebration and Open House
July 16, 2025, 5–9pm
Maha Al-Khater, doha roundabouts, 2014, digital collage, 30 × 30 in. (76.2 × 76.2 cm).
Maha Al-Khater, constructed mirage, 2023, digital collage, 21 × 30 in. (53.34 × 76.2 cm).
Maha Al-Khater, frenetic reverie, 2024, ink and marker on paper, 7 × 10 in. (17.78 × 25.4 cm).
Maha Al-Khater, sheraton doha, 2018, photograph digitally altered, 14 × 111/4 in. (35.56 × 28.57 cm).
Maha Al-Khater, new york sunset, 2019, phone camera with lens, 14 × 111/4 in. (35.56 × 28.57 cm).
Residents from Qatar
Past Resident2025: DOOSAN Art Center
Yeoreum Jeong
Yeoreum Jeong translates the relationship between space and memory into a visual language. Her work is an ongoing process of focused reinvestigation, analyzing narrative structures and deconstructing the body from parts.
Yeoreum Jeong has exhibited work at Seoul Museum of Art (SeMA) Bunker, South Korea; Hapjeong Jigu, South Korea; and OCAT Shanghai, China, among others.
Events & Exhibitions
Summer Celebration and Open House
July 16, 2025, 5–9pm
Yeoreum Jeong, Graeae: A Stationed Idea, 2020, single-channel video.
Yeoreum Jeong, The Long Hole, 2021, single-channel video.
Yeoreum Jeong, The Silent Bearers, 2023, 2-channel video.
Yeoreum Jeong, To a Natural Witness, 2021, 2-channel video and sound.
Yeoreum Jeong, In God We Trust, 2032, single-channel video.
Past Resident2025: Pollock-Krasner Foundation
Umber Majeed
Speculative fiction, collage, and digital interfaces are recurring formal and conceptual tools in Umber Majeed’s interdisciplinary art practice. She draws on architectural design and historical events specific to Pakistan to challenge entangled notions of nationalism, community, and identity within the framework of the modernist nation-state. Majeed is particularly interested in the temporal disjunctures of South Asia’s urban landscapes, using them as a springboard to imagine alternative futures. In her work, video and digital interfaces serve to collapse the boundaries between drawing, familial analog photography, and widely circulated stock imagery.
Umber Majeed has exhibited work at the Queens Museum, New York; Pioneer Works, New York; and Hayy Jameel, Saudi Arabia, among others.
Umber Majeed, Timeline, 2024-25, matte self-adhesive vinyl and works on paper, 36 × 20 in. (91.44 × 50.8 cm).
Umber Majeed, Welcome to the Trans-Pakistan Pavilion, 2025, animation, vinyl, wood and vinyl, 20 × 36 in. (50.8 × 91.44 cm).
Umber Majeed, We can fix it, 2025, ceramics, decal and wood, 30 × 40 × 30 in. (76.2 × 101.6 × 76.2 cm).
Umber Majeed, Saath Haath, 2025, mixed media on paper and web-based AR, 36 × 24 in. (91.44 × 60.96 cm).
Umber Majeed, Untitled, 2025, 3-channel video installation with sound and ceramics, 10 × 12 in. (25.4 × 30.48 cm).
