Past Residents
Past Resident2016: ArtsNSW, Creative Australia2012: Creative Australia, Dame Joan Sutherland Fund
Astra Howard
Astra Howard’s evolving series of interactive Machine-Vehicles (M-Vs) disrupt conventional means of communication to heighten engagement with the public. The M-Vs reduce certain sensory capacities and enhance others. This altered means of communication encourages direct, honest, sometimes unexpected, and often quite intimate responses. The M-Vs are means by which individuals tell their stories of the city; they optimize the fiction to realism ratio to achieve maximum communication in popular, nondescript, and even hostile locations.
Astra Howard is an Action Researcher/Performer working predominantly within public spaces in cities. Since 1998, she has designed and produced site-specific works in cities across Australia and internationally, including Beijing, Paris, New York, Delhi and London. After completing a PhD in 2005 titled Orchestrating the Public: To Reveal and Activate through Design the Experience of the City, Howard has continued to test urban and social theories in the city spaces they critique. Commissioned by cultural institutions and local and state governments, these iterative projects generate dialogue and debate about issues affecting the city. Howard has worked professionally as a designer in commercial agencies, a lecturer in higher education and a community development worker, predominantly in crisis homeless services.
Events & Exhibitions
Salon: Astra Howard and Constanza Levine
November 13, 2012
Residents from Australia
Past Resident2012: Foundation for a Civil Society
Ledia Kostandini
Ledia Kostandini’s work focuses on social transformations of inherited and lost culture. She takes an ironic and often humorous approach to her work through the juxtaposition of cultural and social icons, suggesting a new perspective national events. Her works – photography, paintings and installations with mixed media objects – show a highly sensitive instinct for ideologies in different disguises. Kostandini analyzes the power of images and how they function within varied ideological systems, either in a visible or hidden way. Influenced by her country’s communist past and its threat of violence, Kostandini analyzes family stories and popular images to gain distance from the dynamics of economy and global capitalism.
Based in Tirana, Kostandini is a graduate of the Art Academy, Tirana. Recentexhibitions include What Happened to the General, Tirana; Rewind/Play/Forward, Graz, Austria; Jeune Creation, Paris; and See Visions, Sarajevo.
Residents from Albania
Past Resident2012: Ministry of Culture, Taiwan
Meiya Cheng
Meiya Cheng’s research focuses on issues facing cultural production including conditions of exhibitions, the role of existing art institutions and cultural policies that shape the environment surrounding this work. Based on field research in Asia, Cheng initiated the institution Taipei Contemporary Art Center in 2009 with a group of activists, curators and artists to express the necessity of independent, non-profit institutions to serve the art community and to create a base for experimental art practices in Taipei. In addition to this work in the public realm, she also curates and conducts research on art projects in the technological age.
Meiya Cheng is an independent curator and cultural organizer based in Taipei, previously working at MOCA. She has published articles in Artco magazine, Art and Investment and Broadsheet. Recent projects include Taipei Contemporary Art Center, co-founded with a group of activists, artists and curators in 2009; Augmenting the World, a curatorial project for the 6th Taipei Digital Art Festival; and Trading Futures, co-curated with Pauline Yao, TCAC.