Maria D. Rapicavoli

Maria D. Rapicavoli works across film, photography, and site- specific installation. Her work explores conditions of power, alienation, invisibility, and displacement through a critique of global economic and political systems. Drawing on her native Sicily as a place of departure and arrival, Rapicavoli explores the sea and the sky as sites of transit where individual narratives intersect with international politics. She seeks to make tangible the ways structures of power, taking place out of sight, impact our everyday lives

Maria D. Rapicavoli has exhibited work at Yerba Buena Center for the Arts, San Francisco; Palazzo Reale, Milan; and Whitechapel Gallery, London, among others.

Past Resident
2014: Danish Arts Foundation

Molly Haslund

Molly Haslund is an artist working at the intersection of performance, interactive objects and sculpture. Haslund’s works span personal rituals, musical performances, workshops, and audience participation, making references to the pictorial arts, stand up comedy, literature and music. Lately the core of her practice has been solo performances, where she addresses existential and cultural questions.

Molly Haslund trained at the Royal Art Academy of Fine Art, Copenhagen and Glasgow School of Art. In 2013 at the Museum of Contemporary Art Roskilde, Denmark, she showed her solo exhibition Rock Around the World, consisting of new and retrospective sculptures, called Coordination Models, placed in the city of Roskilde. During the time of the exhibition, performances took place in the streets and and other specific locations througout the city. At Copenhagen Contemporary Art Center Nikolaj, she showed her musical performance 
’ Shot John Wayne and other Etudes. Her performance In the Beginning There Was Rhythm, was shown as part of the seminar ‘Lecture Performance’ at OVERGADEN, Institute of Contemporary Art, Copenhagen.

Gabriella Mangano and Silvana Mangano

Gabriella Mangano and Silvana Mangano work in a collaborative video practice. Their performance works consist of unchoreographed movements that are activated and influenced by handmade sculptural objects while also considering the  architecture / space that the body sits within. The relationship between  movement and object are usually minimal with the emphasis placed on form, structure and sound components. The performance videos are edited into abstract, rhythmic compositions which relay their interests in movement and how movement can be pushed and revealed through different processes.

Their work was recently shown at More Light, The Fifth Moscow Biennale of Contemporary Art, 2013, and Shifting Lines, Christchurch Art Gallery, 2013. Other selected shows include: All Our Relations,18th Biennale of Sydney, 2012; Basil Sellers Art Prize, Ian Potter Museum of Art, Melbourne, 2012; Contemporary Art: Women, Gallery of Modern Art , Brisbane, 2012; Identity V111, Nichido Contemporary Art, Tokyo, 2012; 21st Century: Art in the First Decade, Gallery of Modern Art, Brisbane, 2011; Before and After Science: The 2010 Adelaide Biennial of Australian Art, Art Gallery of South Australia, 2010; The Trickster, The Gyeonggi Museum of Modern Art, 2010 and Love, Loss and Intimacy, National Gallery of Victoria, 2010. Selected solo exhibitions include: Shapes for Open Spaces, Anna Schwartz Gallery, Melbourne, 2012; Neon, Studio 12, Gertrude Contemporary, Melbourne, 2010 and Gabriella Mangano, Silvana Mangano, Monash University Museum of Art, Melbourne, 2009.