Hilario Ortega

Hilario Ortega builds machines that arise from questions and reflections related to: life cycle, work, joy, absurdity, open, hurt, rotate, renovate and exhaustion. He seeks a dialogue between the land and the physical labor of the artist. In Ortega’s work, a relationship exists between the mechanisms, the viewer (or user) and the land. The development of these relationships requires a system of exhaustive testing and validation between purpose and destruction.

Ortega studied at the National School of Painting, Sculpture and Engraving La Esmeralda and graduated as an engineer from the National Polytechnic Institute in Mexico City.

Nilbar Güreş

Nilbar Güreş builds her work on a performative approach and cultural observation. Her works are molded around gender, composition of conceptual space and narrative presentation. She works in photography, collage, drawing and video. When looking retrospectively at Güreş’s practice, it is clear that she is interested in developing a gender-specific critical perspective on the perception of identity and culture. Güreş deals with gender issues and narrative possibilities as well as marginalized communities and patriarchal systems. Her work has an autobiographical layer in terms of the materials, settings, casting and objects, which she reconstructs in her practice. She conceptualizes settings as forms of open scripts while bringing in real stories, and people she knows well.

Nilbar Güreş (born 1977, İstanbul, Turkey) holds a BA in Painting from the Faculty of Fine Arts, Marmara University, İstanbul and a MA in Painting & Graphics from the Academy of Fine Arts, Vienna. Güreş has participated in: What is Waiting Out There, 6th Berlin Biennial (2010); Where Do We Go From Here?, Secession Vienna (2010), What Keeps Human Kind Alive, 11th International İstanbul Biennial (2009) and the travelling exhibition, Tactics of Invisibility, which was previously exhibited at Thyssen-Bornemisza Art Contemporary, Vienna (2010), Tanas, Berlin (2010-2011) and After, İstanbul (2011). She has had three solo shows; Nilbar Güreş at Rampa (2011), Nilbar Güreş: Window Commision 2010, Rivington Place, London (2010), Unknown Sports; Indoor Exercises, Salzbuger Kunstverein (2009) and Self-Defloration, Künstlerhaus Stuttgart (2011). 

Past Resident
2012: Foundation for a Civil Society

Sandra Dukic and Boris Glamocanin

Artist group Sandra Dukic & Boris Glamocanin work in the field of art activism in their home country of Bosnia and Herzegovina. After the Yugoslav wars, the Bosnian city of Ljubija was the most dramatic example of a marginalized community with a large population of people forgotten by their new government. The artists viewed this city in light of a long-term series of projects that would act as a setting for them to answer the question, “What will the future bring this country?” The project is envisaged to have a number of chapters in the series. First and foremost, Dukic & Glamocanin look to raise public awareness about Ljubija and its continued marginalization by the govenment. The most recent project in the series, Ljubija Kills, emerged from the study of and participation in activist and humanitarian work with women in the local community. Ljubija Kills raises questions, draws attention and opens a discussion as it gives a clear artistic attitude about the place where life ends and which currently has no positive platform for future development.