Past Residents
Past Resident2011: OCA - Office for Contemporary Art Norway
Astrid Honold
Astrid Honold is a German curator based in Amsterdam, The Netherlands, where she established Office For Contemporary Art together with artists Fendry Ekel and Folkert de Jong. Operating in the fields of Art Management and Consulting, the Office supports a selected group of talented young artists working in The Netherlands. With Black Cat Publishing, Honold publishes monographs and exhibition catalogues. Additionally, Honold is an independent curator working with international galleries and museums.
Astrid Honold (born in Saarbrücken, Germany) was trained in Architecture at the Stuttgart Technical Institute, Stuggart, Germany and studied at the Rietveld Art Academy, Amsterdam, The Netherlands. Honold has organized the annual presentation of Amsterdam-based design label Droog during the Salone del Mobile Design in Milan, Italy. She was also responsible for Droog Design’s two international travelling exhibitions: Simply droog, MAD Museum, New York; Haus Der Kunst, Munich, Germany; Museo Oscar Niemeyer, Curitiba, Brazil; Museum Bellerive, Zurich, Swizterland, and A Human Touch in Beijing, Melbourne, Sydney, Shanghai, Jakarta and other cities.
Astrid Honold, Installation View, 2009. Courtesy of the curator and the Hudson Valley Center For Contemporary Art, New York.
Astrid Honold, Installation View, 2009. Courtesy of the curator and Metis Gallery, Amsterdam.
Astrid Honold, Installation View, 2010. Courtesy of the curator and Metis Gallery, Amsterdam.
Astrid Honold, Installation View, 2007. Courtesy of the curator and Museum Dhondt Dhaenens, Deurle, Belgium .
Astrid Honold, Installation View, 2009. Courtesy of the curator and Groninger Museum, Groninger.
Residents from The Netherlands
Past Resident2011: CAM - Caja de Ahorros del Mediterráneo
Patricia Dauder
The will to see and to represent beyond the immediate surrounding visible and object world is the urge that conducts Patricia Dauder’s work. She captures and visualizes what is extremely difficult to retain: time, a fleeting moment, an ephemeral trajectory, an idea, something with no form, a remote place. Her work is essentially visual, a common feature to all the media she uses, whether they are three-dimensional objects, drawings, photos, films, or collected images. Their interpretation does not come through a narrative or textual source but solely through observation, which gives way to multiple associations and subtle meanings. Biomorphic traces, elliptically shaped images, gridded linear constructions, references to natural elements mix with allusions to cinematography, experienced as a tool for the observation and for the sequencing of space and time.
Patricia Dauder (born 1973, Barcelona, Spain) studied at the School of Fine Arts in Barcelona, Spain. Recent exhibitions include Lugares Comprometidos: Topografía y Actualidad, Fundación ICO, Madrid, Spain; Los Tiempos de un Lugar, CDAN, Centro de Arte y Naturaleza, Huesca, Spain; Horitzontal/Orbital, Fundació Suñol, Barcelona; Teahupoo, ProjecteSD Gallery, Barcelona; There is No(w) Romanticism, Galerie Les Filles du Calvaire, Brussels, Belgium; Eté 2009, Galerie Jocelyn Wolff, Paris, France; Patricia Dauder and Dani Gal, Galerie Kadel Willborn, Kalsruhe, Germany and 1979: a monument to radical moments; La Virreina, Centre de la Imatge, Barcelona.
Patricia Dauder, Teahupoo, 2010, Drawings, Dimensions variable. Courtesy of the artist and ProjecteSD Gallery, Barcelona.
Patricia Dauder, Drawing series and Forward (16mm film), 2010, Dimensions variable. Courtesy of the artist and Kadel Willborn Galerie Kalsruhe, Germany.
Patricia Dauder, Overlapping#6 And Flow And Sporadic, 2009, Super 8 films transferred to 16mm, 79 × 105 in. (200.66 × 266.7 cm). Courtesy of the artist.
Patricia Dauder, Overlapping#5, 2009, Pencil and pastel color on semitransparent paper, 97 × 118 in. (246.38 × 299.72 cm). Courtesy of the artist.
Patricia Dauder, Flow And Cutsurf, 2009, S8 film transferred to 16mm, color, no sound, 4:05 minutes; 1:44 minutes. Courtesy of the artist and Fundació Suñol, Barcelona.
Daniel Permanetter
There are no dependable records about the relationship between Robert Allen Zimmerman (born 1941 alias Bob Dylan) and Daniel Permanetter. In the videos (amongst others My 115th Dream, 2008 and The Beauty Parlor, 2010) the two meet again and again in short, everyday settings. On a bus, in a movie theater and without converging in any plausible way. What interlinks the two is something deeply human, the impossibility to express your own observations and to deal with the great and finally unanswered questions of life, love, beauty and death by telling stories. (Text by Stefanie Manthey)
Daniel Permanetter (born 1977, Starnberg, Germany) graduated from the Akademie der Bildenden Künste in Munich, Germany, where he lives and works.
Daniel Permanetter, Darkness At The Break Of Noon, 2008, Single channel video, 6:12 min. Courtesy of the artist.
Daniel Permanetter, My 115th Dream, 2007, Single channel video, 2:22 min. Courtesy of the artist.
Daniel Permanetter, Stuck Inside Of Munich With The Homesick Blues Again, 2008, Single channel video, 4:12 min. Courtesy of the artist.
Daniel Permanetter, Highlands # 12 & 35, 2008, Book. Courtesy of the artist.
Daniel Permanetter, Save As Milk, 2009, Installation, Variable dimensions. Courtesy of the artist.
