Past Residents
Past Resident2012: The Open University
Ellie Rees
Ellie Rees produces performance-based videos that use humor and irony to investigate what it means to be a woman in contemporary society. She concentrates on exaggerated portrayals of women in cinema and literature; particularly the inconsistency between liberated female roles and romantic views depicted in high and popular culture. The works are meticulously rehearsed, with a keen regard for formal considerations. Her aim is not to make documentation of a live event, but a precise performance to camera. Her work is often made using an uninterrupted ‘one-take’ method. She is interested in relying on rehearsal and practice, rather than technology and postproduction. In her most recent work, she uses found footage alongside the performance-based pieces, creating large scale, multi-channel installations.
Rees lives and works in London. She graduated from Central Saint Martins College of Art and Design and Winchester School of Art. She is a lecturer at various colleges in the UK, including Central Saint Martins. She has exhibited internationally, including at Tate Modern, London; El Museo de Arte Contemporaneo, Caracas; and The Neuberger Museum of Art, New York. She has been the recipient of various awards and fellowships from the Arts Council England, the Arts and Humanities Research Council, and the Jerwood Foundation. Her work has been commissioned by English National Opera and the Almeida Theatre and she has held residencies in Europe and the USA. Her academic research has been published in the UK.
Residents from United Kingdom
Past Resident2011: LETO Gallery
Radek Szlaga
Radek Szlaga explores marginal topics and trash baroque aesthetics in his painting. The grotesque universe he creates is without boundaries between the aesthetic and historical orders. His work is a constant quest for new solutions where anything can happen. In his work, the simplicity of naive painting meets the philosophy of Jean Baudrillard, the magical thinking of Carlos Castaneda, and a topos of the total reproduction of reality from Borges’s stories.
Radek Szlaga (born 1979, Gliwice, Poland) studied at the Academy of Fine Arts, Prague, and the Academy of Fine Arts, Poznan, Poland. Recent solo shows include Fake Fauna, Arsenal Municipal Gallery, Poznan, Poland; Dreams/Icons, The way, LETO Gallery, Warsaw; Arsenal Gallery, Bialystok, Poland; Iconoclasm, White Space Beijing; Signs of the End, Alexander Ochs Galleries Berlin; and Freedom Club, West, The Hague. Group exhibitions include Where to Go? Notes on Transformation after 1989, < rotor >, Graz, Austria; Le coeur est un chasseur solitaire, Gare Saint Sauveur, Lille, France; They don’t know why but they keep doing it, Waterside Contemporary, London; 14th Vilnius Painting Triennial: False Recognition, Contemporary Art Centre, Vilnius. Since 2007 he has been a member of the artistic group PENERSTWO.
Past Resident2012: Bunka-cho - Agency for Cultural Affairs, Government of Japan
Motoko Dobashi
By means of different media, including wall paintings, drawings and prints, Motoko Dobashi creates imaginary landscapes that reflect visions of contemporary society. In her work elements from the graphic art of various cultures and eras coexist on a monochrome surface. The source for her inspiration can be found in Rennaissance copperplate engravings as well as in contemporary Japanese Mangas, computer graphics and images from the internet. Dobashi makes use of diverse perspectives to establish a unique visual perception, and allow the viewer to access fictitious worlds, particularly in her site-specific wall paintings.
Motoko Dobashi (born 1976, Tokushima, Japan) lives and works in Munich and Berlin. She studied painting at the Musashino Art University, Tokyo, and the Academy of Fine Arts, Munich. She has exhibited nationally and internationally, including Lenbachhaus, Munich; Künstlerhaus Bethanien, Berlin; and Tokyo Wonder Site. She is represented by Gallery Dina4 Projekte, Munich, Lullin + Ferrari, Zurich, and Galerie Laurent Mueller, Paris, and her work is included in major public and private collections.
