Sophie Jung

Sophie Jung’s practice addresses representation and its pitfalls, both culturally as a system of disguised and shifting signs and personally as a way to track and record life. She regularly negotiates between form and affect, pragmatism and romance, between scrutinizing accuracy and magical awe.
 She has a deep trust in temporary definition, plays with concepts and notions packed into words, objects or facial expressions, shifting their assumed meaning from work to work or sentence to song. Her position is on the apronproscenium, the pre-stage, as a fluid messenger between reception and production of timelined Purport. . Her work is strict, slick and abstract as well as emotionally involved, performative and overly literal, be it video, performance, sculpture, text or photography.

Sophie Jung (born in 1982, Luxembourg, lives and works in Basel and London) received her BFA from the Rietveld Academy, Amsterdam and her MFA from Goldsmiths, London. Recent projects include her solo exhibition Learning about Heraldry, Ceri Hand Gallery, United Kingdom; Pick Me Ups & Pick Ups, ICA, United Kingdom; NY–LUX, MUDAM, Luxembourg; Throw Up / On Line, House for Electronic Arts Switzerland; read the room/you’ve got to, S.A.L.T.S., Switzerland; Inflected Objects, Instituto Svizzero, Milan, Italy; Panda Sex, State of Concept, Greece; X&X at Oslo10, Switzerland; and New Waiting at Temnikova & Kasela, Tallinn, Estonia. Future exhibitions include Uncanny Valley at Wysing Art Center, Äppärät at Ballroom Marfa.

Past Resident
2015: Danish Arts Foundation

Rasmus Høj Mygind

Rasmus Høj Mygind’s practice encompasses a range of media including; painting, digital printmaking and ready-made sculpture/assemblage, often mixed together as parts of larger installations. A recurring interest – perhaps a fetish for objects and aesthetics from the building industry- is evident in his work. Practical gestures from art handling, such as the protection tape put on the glass to protects the work, is used as a part of the composition of a series of framed works. Roof gutters are used as frames for paintings. It’s borderline archaic art as we know it. And yet there is something else going on, post-taste.

Rasmus Høj Mygind’s recent solo shows include Work.pdf, Ringsted Galleriet; PVCntings & Suggestions 4 Bronzes, 3D, Henningsen Gallery, Copenhagen; and Break Time Pro, OTHER Projects. Mygind’s work has been exhibited at IMO, Kunsthal Charlottenborg, Den Frie Center for Contemporary Art, TOVES, Malmø Konsthall, Astrup Fearnley Museum, Galerie West, Randers Kunstmuseum.

Donald Hải Phú Daedalus

Donald Hải Phú Daedalus’ interdisciplinary projects utilize sculpture, photography, drawing, video, sound and books to problematize assumed truths, distinctions and impossibilities.

Donald Hải Phú Daedalus grew up in the shadow of the country’s largest public observatory, an area so remote that the U.S. government selected it as the site for byproducts of the atom bomb. Around the time that the oldest human remains in North America were discovered near his home, Daedalus became a Ferguson Fellow at the University of Washington, Seattle, where he studied philosophy and interdisciplinary art. He became an ex-patriot in Spain following the re-election of George W. Bush. He completed graduate studies in San Francisco. In 2012, he joined Critical Practices, Inc. Later that year he founded Lugubrious New York, a digital artist book publishing platform. His work has taken him to Latin America, Europe and Asia.