Past Residents
Gunilla Klingberg
Gunilla Klingberg’s spatial installations investigate the viral nature of visual language in everyday life. Through the use of generic symbols and signs, often repeated, she evokes unseen transcendental and spiritual patterns woven into daily experience. Her works extend beyond the exhibition space, resonating with cosmic forces such as moon phases, tides, and energy lines. In her latest series, she turns to themes of loss, absence, and presence, focusing on the subtle vibrations of the body.
Gunilla Klingberg has exhibited work at Skissernas Museum, Sweden; Bonniers konsthall, Sweden; and The 11th Gwangju Biennale, South Korea, among others.
Events & Exhibitions
2025 Fall Open Studios
November 14–November 15, 2025
Gunilla Klingberg, Spirit of the woods (Silvia), 2024, aluminium, dimensions variable. Skissernas Museum, Sweden.
Gunilla Klingberg, Whirlwind and The red thread, 2024, dimensions variable. Skissernas Museum, Sweden.
Gunilla Klingberg, The red thread (Katarina), 2023, terrazzo concrete, mock-up, dimensions variable. Slussen Bus Terminal, Sweden.
Gunilla Klingberg, Wheel of Everyday Life, 2021, concrete, 14000 × 240 in. (35559.98 × 609.6 cm). One Burrard Place, Vancouver .
Gunilla Klingberg, A Sign In Space, 2012, sandprint. Laga, Spain.
Residents from Sweden
Past Resident2026: Helen Frankenthaler Foundation Residency
Ronald Hall
Ronald Hall seamlessly blends fiction and nonfiction in his narrative paintings, crafting otherworldly spaces where figures contemplate and navigate the complexities of the past, present, and future. Hall transforms domestic interiors, plantation architecture, and symbolic landscapes into dreamlike spaces where the past, present, and future collide. His narrative paintings often center the Black figure as both subject and witness, navigating complex legacies of race, identity, and social construction.
Ronald Hall has exhibited work at Bronx Museum of The Arts, New York; Duane Thomas Gallery, New York; and The Susquehanna Art Museum, Pennsylvania, among others.
Events & Exhibitions
2025 Fall Open Studios
November 14–November 15, 2025
Ronald Hall, Inner City Dreamscape, 2024, acrylic, sand and flashe on linen, 30 × 22 in. (76.2 × 55.88 cm).
Ronald Hall, Madams of The Black Ether, 2023, acrylic, sand and flashe on linen, 52 × 60 in. (132.08 × 152.4 cm).
Ronald Hall, Making Sense of A Lullaby, 2024, acrylic, sand and flashe on linen, 53 × 40 in. (134.62 × 101.6 cm).
Ronald Hall, Cataclysmic Negritude, 2023, acrylic on canvas, 60 × 49 in. (152.4 × 124.46 cm).
Ronald Hall, The Virtual Absence of Platitudes, 2023, acrylic, sand and flashe on linen, 42 × 30 in. (106.68 × 76.2 cm).
Residents from United States
Past Resident2025: Temple Bar Gallery + Studios, Dublin
Eva Richardson McCrea
Working across video, sculpture and photography Eva Richardson McCrea’s practice takes specific sites as points of departure into exploring the politics of the built environment and its role in the production of contemporary subjectivities and social relations. Layering both real and fictional elements, and borrowing conventions from television, documentary, cinema, and theatre, her work draws on a range of source material from philosophy and current affairs to the language of advertising and aspirational living.
Eva Richardson McCrea has exhibited work at Project Arts Centre, Dublin; The Aldrich Contemporary Art Museum, Connecticut; and Composite, Melbourne, among others.
Events & Exhibitions
2025 Fall Open Studios
November 14–November 15, 2025
Eva Richardson McCrea, The Decameron, 2025, 4K video, sound, 1h 6 min.
Eva Richardson McCrea, Sleep, 2025, Infrared B&W SD video, silent, and drywall contrusction with domestic doorway, 5h 23 min.
Eva Richardson McCrea, New Urban Single, 2023, slate grey powder coat, steel, gas pistons, birch plywood slats, mattress and plastic, 79 × 59 × 31 in. (200.66 × 149.86 × 78.74 cm).
Eva Richardson McCrea, Untitled (The Placemakers), 2023-ongoing, silver gelatine print, 19 × 13 in. (48.26 × 33.02 cm).
Eva Richardson McCrea, Rope, 2022, 4K video and sound, 14 min.
