Lilian Kreutzberger

As painter and sculptor, Lilian Kreutzberger aims to synthesize her research into the futility, dilemmas and challenges of modern utopias and the role that urban spaces play within them. Moments in which the reality does or does not match the previously imagined are both source and the condition of the work itself. Abstractions such as models and systems are explored in Kreutzberger’s work, both as an desire or objective of imposing a structure onto the world, while simultaneously exploring the limits of these forms to serve as point of reference in urban planning and so forth. Thematics such as location, site, dislocation, absence and reflection, both physical and psychological recur in her sculptures, paintings, drawings and installations.

Lilian Kreutzberger (born 1984, The Netherlands) graduated from the Royal Academy of Art, the Hague and received a MFA at Parsons New School, New York. Kreutzberger‘s work has been exhibited at the Gemeente Museum, The Netherlands; the Royal Palace, Amsterdam; World Expo 2010, Shanghai; The Last Brucennial, NY; The Kitchen, NY and her work is included in major collections. Kreutzberger was awarded a Fulbright Scholarship, Elizabeth Greenshields Foundation and Mondriaan Fund grants, the Buning Brongers Prize and nominated for the Royal Award for Modern Painting. She was selected for upcoming residencies at Socrates Sculpture Park, NY; Mana Contemporary, New Jersey; and Existentie, Ghent, Belgium.

Xavery Wolski

Xavery Wolski’s work is characterized by the fetishizing of obscenity which functions as a means of testing the workings of the norm-making mechanism and cultural perception – or what Mary Douglas terms social filtering. For Douglas human focus on the dirt is automatically connected to the risk of opposing the established cultural and ethical norms. Wolski believes that all senses of perception are significant in the reception of culture as theory, since they constitute a part of the primal mechanism of human cultural perception and, therefore, are capable of transformation.

Xavery Wolski (born in 1988, Aix-en-Provence, France) lives and works in Krakow, Poland, studying at the Jan Matejko Academy of Fine Arts. He co-authored the installation Pasta on the roof of the former railway station, PKP Powiśle in Warsaw and the exhibition of Spirala Grupa NGC 5474. The Wild Blue Yonder at the Contemporary Art Gallery Bunkier Sztuki in Krakow. He participated in Agnieszka Klepacka’s group exhibition The Importance of Dust in the Botanical Garden Museum in Kraków. His and Hubert Gromny’s project Let’s trim our hair in accordance with lifestyle won the national competition at Grolsch ArtBoom Festival. In 2014, he was the winner of National Competition for Fine Arts Students – Hestia Artistic Journey.

Past Resident
2014: Foundation for a Civil Society

Ivan Ivanovski

Through the media of drawing, film and video, Ivan Ivanovski makes a projection of selfhood situated in the current concrete societal and social moment. Ivanovski conveys a self that constantly re-interrogates the existential conditions within the consumerism, capitalism, deranged values, fears, inhibitions.
Ivan Ivanovski (Born 1983, Skopje, Macedonia) has a BA in sculpture from the Faculty of Fine Arts in Skopje, Macedonia and an AP in Directing, FAMU in Czech Republic. His work has been included in numerous international exhibitions and festivals. He is currently working on a new animated short XO, supported by Macedonian Film Fund.