ISCP Talk
April 21, 2026, 6:30–7:30pm

Artists at Work: Bernd Oppl in Conversation with Mara Mills

For this Artists at Work, ISCP artist-in-residence Bernd Oppl will be joined by scholar Mara Mills. Oppl will speak about his engagement with apparatuses, technologies, and spaces that shape human perception. He will then speak to Mills about how visual impairment informs both the making and experiencing of art. Together, they will discuss disability authorship and disability as a framework in relation to Crip Authorship: Disability as Method (2023), co-edited by Mills. A Q&A with the audience will follow. 

Bernd Oppl is a Vienna-based interdisciplinary artist working across video, photography, sound, and installation. His practice mediates between the visual, auditory, and haptic, destabilizing an oculocentrist experience of reality. He situates the world in an uncanny intermediate space defined by dichotomies: presence and absence, tangible and ephemeral, external and internalized, all-encompassing and radically confined. Oppl is a member of the research group All Disabled Selves and the film cooperative die Regisseur*innen. He has exhibited work at the Georgia Museum of Art, Greece; Greater Taipei Biennial, Taiwan; and Kunstraum Dornbirn, Austria, among others.

Mara Mills is Associate Professor of Media, Culture, and Communication at New York University and Director of the NYU Center for Disability Studies (CDS), a hub for public humanities and disability arts programming. At CDS, she is currently coordinating the Mellon-funded project ASAP: Access for Small Arts Partnerships. She is coeditor of the collections How to be Disabled in a Pandemic (NYU Press, 2025) and Crip Authorship: Disability as Method (NYU Press, 2023). She is also a founding editorial board member of the journal Catalyst: Feminism, Theory, Technoscience.

This program is supported by Federal Ministry of Housing, Arts, Culture, Media and Sport Republic of Austria; Bloomberg Philanthropies; Brooklyn Borough President Antonio Reynoso; Hartfield Foundation; James Rosenquist Foundation; Marion Boulton “Kippy” Stroud Foundation; Milton and Sally Avery Arts Foundation; New York City Council District 34; New York City Department of Cultural Affairs in partnership with the City Council; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; Robert Rauschenberg Foundation; van Beuren Charitable Foundation; and William Talbott Hillman Foundation.
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To access the freight elevator to the second floor of ISCP, enter through the parking lot and continue toward the back, where the lot curves into a U-shaped area with multiple loading docks. Take the ramp on the right, marked by a yellow pillar. At the top of the ramp, you’ll find the freight elevator directly ahead; it is operated by an attendant.

Please note: the elevator does not have interior walls, it functions as a moving platform operated by the attendant. Let them know you’re going to the second floor.

When you exit the elevator, turn right and continue straight to the door on your right. This leads to a set of double doors into the ISCP lounge. If the door is locked, please call (718) 387-2900.

Elevator will be accessible for ISCP:
April 21, 6-8pm

 

6:30–7:30pm

Participating Residents

Open Studios
April 17–April 18, 2026

2026 Spring Open Studios

Opening Reception: Friday, April 17, 6–9pm
Open Hours: Saturday, April 18, 1–6pm

The International Studio & Curatorial Program (ISCP) Spring Open Studios is a presentation of international contemporary art by the 32 artists and curators from 25 countries in residence. Guest speaker curator Christiane Paul, will make remarks at 7pm during the opening reception.

This event is free and open to the public.

Three times a year, ISCP invites the public to engage with its cohort of international artist and curator residents in their individual studios. Residents present recent projects, work in progress, site-specific installations, and their archives to a large audience of professionals and art enthusiasts from New York and beyond. Concentrated in a three-story postindustrial loft building in East Williamsburg, ISCP supports the creative advancement of artists and curators from around the world, presents exhibitions and talks year-round, and fosters cultural exchange. From 1994 to the present, ISCP has hosted over 2,000 alumni hailing from more than 105 countries. Today, ISCP’s Open Studios, a three-decade tradition, continues to be the organization’s signature event.

Visitors can also explore two exhibitions: Alice Wang: Windstorm on Saturn, Basalt Columns, MDMA, Serotonin curated by Melinda Lang, Director of Programs and Exhibitions, and Bryan Fernandez: En tránsito, curated by Zuna Maza. Through a scientific, speculative, and diaristic lens, Wang’s films, sculptures and prints probe mysteries of the natural world, tracing connections between the known and the unknown. Transforming the gallery into a quiet landscape, Wang explores the intelligence of nature, with the hexagon as the central form. In En tránsito (in transit), Fernandez presents works that center layered representations of his Dominican community—people whose experiences, histories, and cultural expressions are often flattened by mainstream media and colonial and anti-Black narratives.

Open Studios participating artists and curators:

Wu Bak (South Korea); Wendimagegn Belete (Ethiopia/Norway); Tore Hallas (Denmark); Edith Hammar (Sweden/Finland); Dana Hayek (Qatar/Jordan); Ruthi Helbitz Cohen (Israel); Fang Yen Hsiang (Taiwan); Maya Jeffereis (United States); Jade Kallio (Finland); Élise Lafontaine (Canada); Sujin Lim (South Korea/United States); Simon Liu (Hong Kong/United States); Keli Safia Maksud (Tanzania/Canada); Kent Merriman (Canada); Maro Michalakakos (Greece); Elisabeth Molin (Denmark/ United Kingdom/Austria); Heather Nicol (Canada); Bernd Oppl (Austria); Cate Pasquarelli (United States); Marie-Andrée Pellerin (Austria/Canada); Yao Qingmei (China/France); Andreia Santana (Austria/Portugal); Hong Seon Jang (South Korea/United States); Sonia Shiel (Ireland); Anna Sireiliu Charenamei (India); Mette Sterre (The Netherlands); Merve Tuna (Turkey); TZUSOO (Germany/South Korea); Filip Vest (Denmark); Sean Wang (Taiwan); Gaspar Willmann (France); Sasha Wortzel (United States); and Juan Zamora (Spain)

ISCP thanks the following residency sponsors:

Residencies are sponsored by Alberta Foundation for the Arts; Arison Arts Foundation; Artis; Brooklyn Borough President Antonio Reynoso; Canada Council for the Arts; Centre national des arts plastiques (Cnap); Danish Arts Foundation; Danna and Ed Ruscha; DOOSAN Art Center; Espacio Valverde; Federal Ministry of Housing, Arts, Culture, Media and Sport Republic of Austria; Fire Station – Qatar Museums; Horace W. Goldsmith Foundation; Fondation pour l’art contemporain Claudine et Jean-Marc Salomon; IASPIS – The Swedish Arts Grants Committee’s International Programme for Visual Artists; Luso-American Development Foundation (FLAD); Ministry of Culture, Taiwan; Mondriaan Fund; New York City Council District 34; New York City Department of Cultural Affairs, in partnership with the City Council; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; OCA – Office for Contemporary Art Norway; Saastamoinen Foundation; SAHA Association; ShanghART Gallery; Temple Bar Gallery + Studios, Dublin; The Holt Foundation Family Foundation; The Inlaks Shivdasani Foundation; Uniarts Helsinki’s Academy of Fine Arts; and Zurich Foundation.

This program is also generously supported, in part, by Bloomberg Philanthropies; Austrian Cultural Forum; Brooklyn Borough President Antonio Reynoso; Consulate General of the Kingdom of the Netherlands; Consulate General of Spain in New York; Consulate General of Sweden; Hartfield Foundation; James Rosenquist Foundation; Marion Boulton “Kippy” Stroud Foundation; Milton and Sally Avery Arts Foundation; New York City Council District 34; New York City Department of Cultural Affairs in partnership with the City Council; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; Robert Rauschenberg Foundation; Royal Norwegian Consulate General in New York; van Beuren Charitable Foundation; and William Talbott Hillman Foundation.

In addition to the many individuals who support ISCP, the members of the Director’s Circle are also thanked for their largesse: Anne Altchek; Elizabeth Sarnoff; Doreen Small; Laurie Sprayregen; and Barbara van Beuren. 

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Please note that the entrance to ISCP has seven steps and a ramp, which is ADA compliant. There are seven artist studios and one exhibition space which can be accessed on the first floor of ISCP. There is an accessible bathroom on the first floor at the end of the hallway, up one step, where the artist studios are located. To access the second floor there is a staircase with a grab bar installed on the right side with 22 steps. The second floor has 22 artist and curator studios, one exhibition space, and a lounge where remarks by our guest speaker will take place. To access the third floor there is a staircase with a grab bar installed on the right side with 24 steps. The third floor has five artist and curator studios.

ISCP can offer two reserved parking spaces on request for people with disabilities.

To access the freight elevator to the second floor of ISCP, enter through the parking lot and continue toward the back, where the lot curves into a U-shaped area with multiple loading docks. Take the ramp on the right, marked by a yellow pillar. At the top of the ramp, you’ll find the freight elevator directly ahead; it is operated by an attendant.

Please note: the elevator does not have interior walls, it functions as a moving platform operated by the attendant. Let them know you’re going to the second floor.

When you exit the elevator, turn right and continue straight to the door on your right. This leads to a set of double doors into the ISCP lounge. If the door is locked, please call (718) 387-2900.

Event
April 7, 2026, 6:30–7:30pm

Artists at Work: Heather Nicol in Conversation with Jeppe Ugelvig

For this Artists at Work talk, ISCP artist-in-residence Heather Nicol will be joined by curator Jeppe Ugelvig. Using a PechaKucha-inspired slide reel—a rapid, image-driven presentation—Nicol will introduce her approach to creating site-responsive works that engage with social connection. This will open a dialogue with Ugelvig centered on her immersive sound and performance installation September Song (2021). Following the discussion, Nicol will lead visitors to her studio to hear the work’s spatialized audio score. 

Heather Nicol is a Toronto-based multidisciplinary artist whose practice spans immersive sound and kinetic textile installations, sculpture, performance gatherings, and extends to curatorial practice. Her large-scale interventions develop from the architectural, sonic, historical, and operational conditions of the locations they occupy, from public spaces to decommissioned and transitional sites. Listening anchors Nicol’s work, which often features multichannel audio scores built from her vocal and instrumental recordings. Relying on collaboration and exchange, sociality is embedded in her process and final outcomes. Nicol has exhibited work at The Bentway; The National Arts Centre; and The Fleck at Harbourfront Centre Theatre, all in Canada, among others.

Jeppe Ugelvig is a New York-based curator, historian, and cultural critic investigating the hybridities of art and fashion in a globalized world. He currently serves as the Moving Image Lab fellow at the Kramlich Collection in Napa Valley, CA, and is the founding editor-in-chief of Viscose, a journal for fashion criticism and analysis. Viscose has partnered with art institutions globally in pursuit of fashion research, including X Museum in Beijing and the Leslie-Lohman Museum of Art in New York. Ugelvig’s writings have appeared in Artforum, Frieze, and Spike Art Quarterly, and he is the author of Fashion Work (2020) and Commodity Ecumene: On the Art of Nina Beier (2024). Most recently, Ugelvig curated Endless Garment: Atlantic Basin at Pioneer Works in Brooklyn, NY. 

This program is supported by Canada Council for the Arts; Bloomberg Philanthropies; Brooklyn Borough President Antonio Reynoso; Hartfield Foundation; James Rosenquist Foundation; Marion Boulton “Kippy” Stroud Foundation; Milton and Sally Avery Arts Foundation; New York City Council District 34; New York City Department of Cultural Affairs in partnership with the City Council; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; Robert Rauschenberg Foundation; van Beuren Charitable Foundation; and William Talbott Hillman Foundation.

6:30–7:30pm

Participating Residents