Exhibition
February 17–June 5, 2026

Alice Wang: Windstorm on Saturn, Basalt Columns, MDMA, Serotonin

The International Studio & Curatorial Program (ISCP) presents Alice Wang: Windstorm on Saturn, Basalt Columns, MDMA, Serotonin, the artist’s first New York institutional solo exhibition. Wang’s films, sculptures and prints probe mysteries of the natural world, tracing connections between the known and the unknown through a scientific, speculative, and diaristic lens. This exhibition brings together new ceramic sculptures, the artist’s film Space Analogs: Pyramids and Parabolas III (2024) and recent experiments with meteorites. 

Wang transforms the gallery into a quiet landscape that reflects on the intelligence of nature, with the hexagon as the central form. Fascinated by its highly efficient geometry, she finds inspiration in hexagonal patterns that recur across vastly different scales: from the decades-long storm cloud on Saturn’s North Pole, to the crystallization of basalt columns on Earth, and down to the molecular structures of MDMA and serotonin, all key references in her recent work. Her ceramics take on this omnipresent shape, evoking planetary geological formations while her prints of magnified meteorites offer an intimate view of actual remnants from the far depths of space. 

Anchoring the installation, Wang’s film interweaves otherworldly vistas with personal reflections, including the story of her grandfather’s covert life as a Chinese spy. As she navigates harsh, alienating landscapes, Wang turns inward, exploring both physical and psychic terrain while seeking stability in the regularity of nature. As a whole, the exhibition urges us to think deeply about the elemental kinship between the body, Earth and the cosmos and our survival within a precarious, interconnected world.

Alice Wang is a Chinese-born American artist based in New York. She was a resident at ISCP from December 2024 to May 2025, supported by Canada Council for the Arts. Wang received a B.Sc. in Computer Science and International Relations from the University of Toronto, a BFA from the California Institute of the Arts, and an MFA from New York University. Her work has been the subject of solo exhibitions at the UCCA Dune Art Museum, China; Vincent Price Art Museum, Los Angeles; Capsule Shanghai; Human Resources, Los Angeles; and 18th Street Arts Center, Santa Monica, among others. Group presentations include the Hammer Museum, Los Angeles; Para Site, Hong Kong; Fotografiska, Shanghai; and the 14th Shanghai Biennale. Wang is currently a Visual Arts resident at Pioneer Works. This spring, her work will be featured in New Humans: Memories of the Future at the New Museum.

Alice Wang: Windstorm on Saturn, Basalt Columns, MDMA, Serotonin is curated by Melinda Lang, ISCP’s Director of Programs and Exhibitions. The exhibition is supported by Marion Boulton “Kippy” Stroud Foundation; Brooklyn Borough President Antonio Reynoso; Hartfield Foundation; Milton and Sally Avery Arts Foundation; New York City Council District 34; New York City Department of Cultural Affairs in partnership with the City Council; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; van Beuren Charitable Foundation; William Talbott Hillman Foundation. 

Participating Residents

ISCP Talk
January 27, 2026, 6:00–7:30pm

Artists at Work: Film Screening with Jade Kallio, Bernd Oppl, Marie-Andrée Pellerin, and Gaspar Willmann

For this Artists at Work, ISCP presents a screening of films by artists-in-residence Jade Kallio, Bernd Oppl, Marie-Andrée Pellerin, and Gaspar Willmann. This screening highlights a range of cinematic approaches and techniques. It will be followed by a Q&A with the audience. 

Gaspar Willmann, Slonfa Shenfa, 2021
Marie-Andrée Pellerin, blowrders, 2024
Jade Kallio, Janne, 2026
Bernd Oppl, Loop Me In, 2023
Bernd Oppl, Warten, 2021

Jade Kallio is a Helsinki-based filmmaker and artist whose practice reflects on gender, corporeality, and the spaces and social structures in which meanings are produced, with a focus on trans identities and marginalized experiences. Kallio explores how social norms shape possibilities for existence and visibility. Current projects blend documentary, speculative fiction, and magical realism while considering production structures, working conditions, and questions of narrative authority. Kallio has exhibited work at International Short Film Festival Oberhausen, Germany; The Centre for Contemporary Art, Ireland; and International Film Festival Rotterdam, The Netherlands, among others.

Bernd Oppl’s works, whether in the form of models, photographs, sound installations, or moving image works as projections and on displays, deal with the uncertainty of perception in a world where the visible and audible are always material and virtual at the same time. He situates the world in an uncanny intermediate space defined by dichotomies: presence and absence, tangible and ephemeral, external and internalized, all-encompassing and radically confined. Oppl has exhibited work at Georgia Museum of Art, Greece; Greater Taipei Biennial, Taiwan; and Kunstraum Dornbirn, Austria, among others.

Marie-Andrée Pellerin’s practice, which spans video, sound, installation, performance and textiles, explores the interplay between the geological and societal realms. Her recent work engages with the poetics of weather, reflecting on how atmospheric phenomena shape soundscapes, mental states, and social narratives. Central to her practice is speculative thinking, through which she creates fictional institutions, new words and fake disciplines. She collaborates with musicians, meteorologists, linguists and writers. Pellerin has exhibited work at BPS22 Art Museum of the Province of Hainaut, Belgium; Kunstforum, Austria; and Center for Contemporary Art (CCA), Scotland, among others.

Gaspar Willmann is a Paris-based artist whose practice spans video, installation, and painting. He examines how we consume images, how they circulate, and the affective and collective impact they carry. By subverting established visual codes, Willmann reveals the mechanisms that shape perception, memory, and desire—offering a critical exploration of the social and emotional impact of imagery. He has exhibited work at Fondation Pernod Ricard; Frac des Pays de la Loire; and Fondation Fiminco, all in France, among others.

This program is supported by Uniarts Helsinki’s Academy of Fine Arts and Saastamoinen Foundation; Federal Ministry of Housing, Arts, Culture, Media and Sport Republic of Austria; La Fondation pour l’Art Contemporain Claudine et Jean-Marc Salomon; Hartfield Foundation; James Rosenquist Foundation; Joe Sultan; Lèna Saltos; Milton and Sally Avery Arts Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; Brooklyn Borough President Antonio Reynoso; New York City Council District 34; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; New York State Senator Julia Salazar; Dr. Samar Maziad; Sarah Jones; van Beuren Charitable Foundation; William Talbott Hillman Foundation; and Woodman Family Foundation.
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Accessibility information: Please note that the entrance to ISCP has seven steps and a ramp, which is ADA compliant. There are seven artist studios and one exhibition space which can be accessed on the first floor of ISCP. There is an accessible bathroom on the first floor at the end of the hallway, up one step, where the artist studios are located. To access the second floor there is a staircase with a grab bar installed on the right side with 22 steps. The second floor has 22 artist and curator studios, one exhibition space, and a lounge where remarks by our guest speaker will take place. To access the third floor there is a staircase with a grab bar installed on the right side with 24 steps. The third floor has five artist and curator studios. ISCP can access a freight elevator to bring visitors between the first and second floors on request.

ISCP can offer two reserved parking spaces on request for people with disabilities. Please email programs@iscp-nyc.org to request a parking space and/or freight elevator usage.

6:00–7:30pm

ISCP Talk
December 16, 2025, 6:30–7:30pm

Artists at Work: Karin Fisslthaler in Conversation with Işın Önol

For this Artists at Work, ISCP artist-in-residence Karin Fisslthaler will be joined by curator Işın Önol. Fisslthaler will present on her practice and speak with Önol about her engagement with collage, archives, and collective memory. A Q&A with the audience will follow.

Karin Fisslthaler works across fine art, experimental film, and sound, music, and performance (under the name Cherry Sunkist). Her practice spans video, film, collage, and installation, with a focus on found footage, from cinematic to pop-cultural artifacts. She investigates how media retroactively shapes notions of identity, communication, and human relationships. Fisslthaler has exhibited works at Belvedere 21, Vienna; Ann Arbor Film Festival, Michigan; and Photo Museum Ireland, Dublin, among others.

Işın Önol is a curator and writer based in New York. Most recently, she served as Director of Curatorial Research at the School of Visual Arts, Curatorial Practice MA Program, and co-curated the main exhibition for Vienna Art Week. Since 2009, she has worked as an independent curator, primarily in the United States, Austria, and Turkey. From 2006 to 2009, she led the Elgiz Museum of Contemporary Art in Istanbul as its director and curator. Her curatorial research focuses on connecting archival material with oral histories to build platforms for collective memory through collaborative art practices.

This program is supported by the Federal Ministry of Housing, Arts, Culture, Media and Sport Republic of Austria; Hartfield Foundation; James Rosenquist Foundation; Joe Sultan; Lèna Saltos; Milton and Sally Avery Arts Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; Brooklyn Borough President Antonio Reynoso; New York City Council District 34; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; New York State Senator Julia Salazar; Dr. Samar Maziad; Sarah Jones; van Beuren Charitable Foundation; William Talbott Hillman Foundation; and Woodman Family Foundation.
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Accessibility information: Please note that the entrance to ISCP has seven steps and a ramp, which is ADA compliant. There are seven artist studios and one exhibition space which can be accessed on the first floor of ISCP. There is an accessible bathroom on the first floor at the end of the hallway, up one step, where the artist studios are located. To access the second floor there is a staircase with a grab bar installed on the right side with 22 steps. The second floor has 22 artist and curator studios, one exhibition space, and a lounge where remarks by our guest speaker will take place. To access the third floor there is a staircase with a grab bar installed on the right side with 24 steps. The third floor has five artist and curator studios. ISCP can access a freight elevator to bring visitors between the first and second floors on request. 

ISCP can offer two reserved parking spaces on request for people with disabilities. Please email programs@iscp-nyc.org to request a parking space and/or freight elevator usage.

6:30–7:30pm

Participating Residents